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Raphaël Zarka: Sculpture Gnomonique

Past exhibition
4 November - 23 December 2022 Temple
  • Installation Views
  • Press release
  • Works
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Installation Views
Open a larger version of the following image in a popup: Zarka Exposition 2612 Hd
Open a larger version of the following image in a popup: Zarka Exposition 2542 Hd
Open a larger version of the following image in a popup: Zarka Exposition 2588 Hd
Open a larger version of the following image in a popup: Zarka Exposition 2566 Hd
Open a larger version of the following image in a popup: Zarka Exposition 2640 Hd
Open a larger version of the following image in a popup: Zarka Exposition 2688 Hd
Open a larger version of the following image in a popup: Zarka Exposition 2320 Hd
Open a larger version of the following image in a popup: Zarka Exposition 2332 Hd
Open a larger version of the following image in a popup: Zarka Exposition 2459 Hd
Press release

Raphaël Zarka  

A Time for Forms

 

Those who enter the porte cochère of 79 rue du Temple (home to Galerie Mitterrand) may notice a 17th-century sundial on the upper facade of the hotel de Montmort. Should they choose to venture into the gallery’s exhibition space, they will discover several more such timepieces, without having to lift their gaze to do so. In Sculpture Gnomonique, Raphaël Zarka leads visitors into a unique observatory comprised of 17th-century French and British sundials, although their sculptural and pictorial transformation has stripped them of any gnomonic function. As far back as 1641, this Parisian venue played host to scientific meetings that led to the creation of the Academy of Sciences. These gatherings were organised by Henri Louis Montmort, owner of the famous Galilean astronomical telescope. What better place to give a second life to these scientific instruments that link us to the cosmos? While the scientific past of this venue must have a certain appeal for Zarka, his interest in the history of science and astronomy is no recent phenomenon.

 

Marjolaine Lévy

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Works
  • Raphaël Zarka, Adler nº1, 2022
    Raphaël Zarka, Adler nº1, 2022
  • Raphaël Zarka, Floris nº1, 2022
    Raphaël Zarka, Floris nº1, 2022
  • Raphaël Zarka, Lavaur nº1, 2022
    Raphaël Zarka, Lavaur nº1, 2022
  • Raphaël Zarka, Étude pour une forme quelconque (d’après Sebastiano Serlio) N.4, 2020
    Raphaël Zarka, Étude pour une forme quelconque (d’après Sebastiano Serlio) N.4, 2020
  • Raphaël Zarka, Suite Serlienne 5 P.2, 2020
    Raphaël Zarka, Suite Serlienne 5 P.2, 2020
  • Raphaël Zarka, Abstraction Gnomonique nº15 (version 2), 2020
    Raphaël Zarka, Abstraction Gnomonique nº15 (version 2), 2020
  • Raphaël Zarka, Abstraction Gnomonique 11, 2020
    Raphaël Zarka, Abstraction Gnomonique 11, 2020
  • Raphaël Zarka, Abstraction Gnomonique 12, 2020
    Raphaël Zarka, Abstraction Gnomonique 12, 2020
  • Raphaël Zarka, Partition Régulière W5M1, 2022
    Raphaël Zarka, Partition Régulière W5M1, 2022
  • Raphaël Zarka, L'Oisellerie, 2022
    Raphaël Zarka, L'Oisellerie, 2022
  • Raphaël Zarka, Woodhouselee, 2022
    Raphaël Zarka, Woodhouselee, 2022
Press
  • ARTIST-SMUGGLERS

    Catherine Francblin, ARTPRESS, January 23, 2023
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Video

Related artist

  • Raphaël Zarka

    Raphaël Zarka

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