Morgan Fisher American, 1942
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Biographie
© Margaret HondaMorgan Fisher est né en 1942 à Washingon, D.C., USA.Vit et travaille à Los Angeles, Californie.Morgan Fisher est un artiste et cinéaste expérimental américain, célèbre pour ses films structuralistes et minimalistes. Ses premiers films sont des œuvres expérimentales qui s'identifient au mouvement du film structurel en mettant l'accent sur le support plutôt que sur le contenu. Il entame alors une critique sur la disparition menaçante de supports artistiques tels que le film analogique, un fil conducteur encore récurrent 40 ans plus tard dans ses dessins et photographies basés sur l'obsolescence de la photographie argentique. Dans les années 1990, le travail de Morgan Fisher s'étend à la peinture et à l'installation. Il réalise notamment des toiles monochromes et carrées et des installations qui dépendent de l'interaction entre les œuvres d'art dans un espace particulier.Son travail a été inclus dans trois expositions de la Whitney Biennial, en 1985, 2004 et 2014. Ses oeuvres sont présentes dans de grandes institutions internationales telles que le Museum of Contemporary Art à Los Angeles, le Museum of Modern Art à New York, la Tate Modern à Londres ou encore le Whitney Museum of American Art à New York. -
Œuvres
Morgan Fisher American, 1942
Three Gray Paintings (violet/yellow, orange/blue, green/red), 2022Acrylique sur toileH 61 x 76.2 cm
H 24 x 30 in©Morgan FisherMorgan Fisher : 'Ordinarily a title does no more than identify a painting, but the titles of these paintings are crucial to understanding them. The titles guide the viewer to...Morgan Fisher :
"Ordinarily a title
does no more than identify a painting, but the titles of these paintings are
crucial to understanding them. The titles guide the viewer to conceptualize the
paintings as something other than what is apparent on casual viewing.The titles, like
the paintings themselves, are three different forms of the same thing. Despite
their differences, the titles are identical and the paintings, despite their
differences, are also identical.The first parts of
the titles are all the same: Three Gray Paintings. The second part
of each title tells us that each painting consists of the same three pairs of
colors: orange and blue, green and red, and violet and yellow, although the
order of the pairs is different in each painting. As each title makes clear,
pairs of complementary colors make gray. The viewer understands that this is so
in actuality when the two colors are mixed together; and the viewer further
understands that in the paintings the mixing is to be imagined. Knowing that
pairs of complementary colors make gray and imagining the mixing of each pair,
the viewer is able to conceptualize how each of the three pairs of colors in a
painting make a gray painting. And so the viewer understands that, as the
titles say, all of the paintings are three gray paintings.The order of the
pairs in each painting is different but because the grays the pairs make are
identical the three paintings that make each paintings are identical. This
means that although the three paintings appear to be different they are,
conceptually speaking, identical.Despite how the
paintings appear at first glance, they are systematic. The colors were put on
in the order given in the titles to make the three pairs of colors that each
make a gray painting.Each color was put
on by flicking the paint from a palette knife on the model of the allover, an
array with uniform emphasis. The exact locations and shapes of the paint are a
matter of chance. The canvas was turned top for bottom between each color.
Again, the titles are crucial. The second part of each title, giving the
order in which the colors are put on, describes an essential part of
the process for making each painting. And the first part of each title, Three Gray Paintings, describes the result of that process."Expositions
